Publications
Books
Family Ties: Living History in Canadian Historic Homes. Montreal and Kingston: McGill-Queen’s University Press, August 2015. Available at http://www.mqup.ca/family-ties-products-9780773545625.php?page_id=118400&
Museopathy Revisited: Artist Interventions in Canada and Beyond. McGill-Queen’s University Press, under review. Co-edited with Anne Koval and Taryn Sirove. My written contributions include a co-authored introduction and a co-authored chapter with Carla Taunton (NSCADU, Halifax, NS) entitled “Rising to the Occasion: Valuations of Indigenous Agency and Decolonization in Royal Tours, Historic Sites, and Twelve Angry Crinolines in Thunder Bay, ON.”
Peer Reviewed Journal Articles
“Collaborative Performances of Resistance in Twenty-First Century Toronto: The Encampment and Occupy Toronto,” Journal of Canadian Studies, accepted, in press.
“Gender, Canadian Nationhood, and ‘Keeping House’: The Cultural Bureaucratization of Dundurn Castle.” Gender and History 25.1 (April 2013): 47-64.
“Claiming Christmas for the Tourist: ‘Living History’ at Dundurn Castle.” Journal of Heritage Tourism 3.2 (2008): 104-120.
“Pasturizing Canada: Joe Fafard.” Fuse Magazine 31.4 (September 2008): 44-46.
“Shades of Grace: Review.” Untitled: A Publication of the Union Gallery 15.2 (August 2008): 8-9.
“Un canadien errant: Charles Smeaton and the earliest photographs of the Roman Catacombs.” Revue d’art canadienne/Canadian Art Review 32.1-2 (2007): 94-106. Co-authored with John Osborne.
Refereed Book Chapters
“From Object Base to Multicultural Place to Digital Space: The Toronto Museum Project.” Diverse Spaces: Examining Identity, Heritage and Community within Canadian Public Culture, edited by Susan Ashley, 61-74. Cambridge Scholars Press, 2013.
“Canadian Holidays and Heritage: (De)Politicizing the Past in Historic Homes.” Canada Exposed/Le Canada à Découvert, edited by. Pierre Anctil, André Loiselle and Christopher Rolfe, pages 263-280. Bruxelles, Bern, Berlin, Frankfurt, New York, Oxford, Wien: Peter Lang Publishing Inc., 2009.
“cache: Provisions and productions in contemporary Igloolik video.” Global Indigenous Media: cultures, Practices and Politics, edited by. Pamela Wilson and Michelle Stewart, pages 74-88. Durham, NC: Duke University Press, 2008. Co-authored with the Cache Collective (Taryn Sirove, Lindsay Leitch, Emily Rothwell, Erin Morton, and Michelle Veitch).
Exhibition Catalogues – Museums & Art Galleries
“The North Now,” 2014 Northern Ontario Juried Exhibition [exhibition essay]. Thunder Bay, ON: Thunder Bay Art Gallery, 2014.
“Treks, Traces, and Technologies: An Interview with Julie Cosgrove.” Nowhere is a Place – Julie Cosgrove [catalogue essay]. Thunder Bay, ON: Thunder Bay Art Gallery, 2014.
“Steady On!” Lakehead University Faculty Exhibition 2013 [exhibition essay]. Thunder Bay, ON: Definitely Superior Artist-Run Centre, 2013.
“From Whence You Came,” Winds from the East [curatorial essay]. Kingston, ON: Modern Fuel Artist-Run Centre, 2008.
The Malleability of Wax and Meaning: Marjorie Winslow and Twentieth- Century Moulage Production in Canada [research manuscript]. Kingston, ON: Museum of Health Care at Kingston, September 2007.
cache: Three Contemporary Videos from Igloolik [exhibition catalogue]. Kingston, ON: Agnes Etherington Art Centre, 2005. Co-authored with the Cache Collective (Taryn Sirove, Lindsay Leitch, Emily Rothwell, Erin Morton, and Michelle Veitch).
Art Exhibition Reviews
“The Currency of Alex Colville,” Revue d’art canadienne/Canadian Art Review 40.1 (Spring 2015): 108-10.
“Making Memories at Mackenzie House.” Heritage Toronto – Telling Toronto’s Stories. Toronto: Heritage Toronto, August 2011. Available at http://heritagetoronto.org/manufacturing-memories/
“Pasturizing Canada: Joe Fafard.” Fuse Magazine 31.4 (September 2008): 44-46.
“Shades of Grace: Review.” Untitled: A Publication of the Union Gallery 15.2 (August 2008): 8-9.
“Preserving Realpolitik: A Conversation with Marie-Hélène Cousineau of Arnait Video Productions.” Fuse Magazine 28.3 (2005): 15-19. Co-authored with the Cache Collective (Taryn Sirove, Lindsay Leitch, Emily Rothwell, Erin Morton, and Michelle Veitch).
Book Reviews
“Review of Rethinking Professionalism: Women and Art in Canada, 1870-1970, edited by Kristina Huneault and Janice Anderson; Defining the Modern Museum: A Case Study of the Challenges of Exchange by Lianne McTavish,” Revue d’art canadienne/ Canadian Art Review 38.1 (2013): 108-113.